Tadao Ando
Born | September 13, 1941 Minato-ku, Osaka, Japan |
---|---|
Nationality | Japanese |
Awards | Alvar Aalto Medal, 1985 Pritzker Prize , 1995 RIBA Royal Gold Medal, 1997 AIA Gold Medal , 2002 Neutra Medal for Professional Excellence, 2012 |
Architectural career | |
Practice | Tadao Ando Architects & Associates |
Buildings | Row House, Sumiyoshi, 1979 Church of the Light , Osaka, 1989 Water Temple, Awaji, 1991 |
Projects | Rokko Housing I, II, III, Kobe, 1983-1999 |
Tadao Ando (安藤 忠雄 Andō Tadao , born September 13, 1941, in Minato-ku, Osaka, Japan and raised in Asahi-ku in the city) is a Japanese architect whose approach to architecture was categorized by Francesco Dal Co as critical regionalism. Ando has led a storied life, working as a truck driver and boxer prior to settling on the profession of architecture, despite never having taken formal training in the field. He visited buildings designed by renowned architects like Le Corbusier, Ludwig Mies Van der Rohe, Frank Lloyd Wright and Louis Kahn before returning to Osaka in 1968 and established his own design studio, Tadao Ando Architect and Associates.
Style
Ando has strong culture backgrounds in Japan, where he is raised and also currently stays. The Japanese religion and life style influenced him a lot in this design style in terms of architecture. His style in architecture is said to create "haiku" effect, and also emphasize the nothingness to represent the beauty of simplicity. Yet he likes to design architecture with complex spatial circulation while the appearance is simple. As a self-taught architect, he keeps his Japanese culture and language tightly in his mind while he travels around Europe for learning experience. As an architect, he believes that architecture can change the society--"to change the dwelling is to change the city and to reform society" [1]. "Reform society" could be a promotion of a place or a change of the identity of that place. According to Werner Blaser, "Good buildings by Tadao Ando create memorable identity and therefore publicity, which in turn attracts the public and promotes market penetration" [2].The simplicity of his architecture emphasizes the concept of sensation and physical experiences, mainly influenced by the Japanese culture. The religious term, Zen, focuses on the concept of simplicity and concentrates on the inner feeling rather than the appearance. The theory has vividly shown on Ando’s work and definitely become his style that distinguishes other outstanding architects in the world. In order to practice the idea of simplicity, Ando’s architecture is mostly constructed with concrete, which provides his architecture a sense of cleanness and weightiness at the same time. Due to the simplicity of the exterior, the construction and organization of the space are relatively potential in order to represents the aesthetic from sensation.
Unlike most of the religious architecture that mainly focusing on the preservation of history, one of his work, the Komyo-ji Temple in Saijo, Ehime, is made out of wood, which requires repair after each period of time. However, in the perspective of Japanese culture, the most significant concept of the shrine is to be able to spread the divine spirit from the interior and being able to eternalize it through the architecture. Besides Japanese religious architecture, Ando also designs Christian Churches, such as the Church of Light (1989) and the Church in Tarumi (1993). Although there are different characteristic between Japanese and Christian churches, Ando treats them with the similar strategy. In fact, there should be no difference for designing religious architecture and houses. He explains, “we do not need to differentiate one from the other. Dwelling in a house is not only a functional issue, but also a spiritual one. The house is the locus of mind (kokoro), and the mind is the locus of god. Dwelling in a house is a search for the mind (kokoro) as the locus of god, just as one goes to church to search for god. An important role of the church is to enhance this sense of the spiritual. In a spiritual place, people find peace in their mind (kokoro), as in their homeland” [3]. Besides speaking the spirit of the architecture, the association between the nature and the architecture is also his architecture strategy. As an architect, Ando makes his architecture become a way for people to easily experience the spirit and the beauty of the nature through the architecture. He thinks architecture is responsible for performing the attitude of the site and then turning it into visible perceptions. This not only represents his theory of the role of architecture in the society but also shows the reason that he spends so much time studying architecture from his physical experience.
In 1995, Ando won the Pritzker Architecture Prize, considered the highest distinction in the field of architecture.[4] He donated the $100,000 prize money to the orphans of the 1995 Kobe earthquake.[5]
Buildings and works
Tadao Ando's body of work is known for the creative use of natural light and for architectures that follow the natural forms of the landscape (rather than disturbing the landscape by making it conform to the constructed space of a building). The architect's buildings are often characterized by complex three-dimensional circulation paths. These paths interweave between interior and exterior spaces formed both inside large-scale geometric shapes and in the spaces between them. His "Row House in Sumiyoshi" (Azuma House, 住吉の長屋), a small two-story, cast-in-place concrete house completed in 1976, is an early Ando work which began to show elements of his characteristic style. It consists of three equally sized rectangular volumes: two enclosed volumes of interior spaces separated by an open courtyard. By nature of the courtyard's position between the two interior volumes, it becomes an integral part of the house's circulation system. This house is famous for the contrast of appearance and spatial organization, which allow people to experience the richness of the space within the geometry.
Ando's housing complex at Rokko, just outside Kobe, is a complex warren of terraces and balconies and atriums and shafts. The designs for Rokko Housing One (1983) and for Rokko Housing Two (1993) illustrate a range of issues in the traditional architectural vocabulary—the interplay of solid and void, the alternatives of open and closed, the contrasts of light and darkness. More significantly, Ando's noteworthy achievement in these clustered buildings is site specific—the structures survived undamaged after the Great Hanshin Earthquake of 1995.[6] New York Times architectural critic Paul Goldberger argues convincingly that "Ando is right in the Japanese tradition: spareness has always been a part of Japanese architecture, at least since the 16th century; [and] it is not without reason that Frank Lloyd Wright more freely admitted to the influences of Japanese architecture than of anything American."[6] Like, Wright's Imperial Hotel in Tokyo, which did survive the Great Kanto Earthquake of 1923, site specific decision-making, anticipates seismic activity in Ando's several Hyōgo-Awaji buildings.[7]
Completed projects list
Building/project | Location | Country | Date |
---|---|---|---|
Tomishima House | Osaka | Japan | 1973 |
Uchida House | Japan | 1974 | |
Uno House | Kyoto | Japan | 1974 |
Hiraoka House | Hyōgo Prefecture | Japan | 1974 |
Shibata House | Ashiya, Hyogo Prefecture | Japan | 1974 |
Tatsumi House | Osaka | Japan | 1975 |
Soseikan-Yamaguchi House | Hyōgo Prefecture | Japan | 1975 |
Takahashi House | Ashiya, Hyōgo Prefecture | Japan | 1975 |
Matsumura House | Kobe | Japan | 1975 |
Row House in Sumiyoshi (Azuma House) | Sumiyoshi, Osaka | Japan | 1976 |
Hirabayashi House | Osaka Prefecture | Japan | 1976 |
Bansho House | Aichi Prefecture | Japan | 1976 |
Tezukayama Tower Plaza | Sumiyoshi, Osaka | Japan | 1976 |
Tezukayama House-Manabe House | Osaka | Japan | 1977 |
Wall House (Matsumoto House) | Ashiya, Hyōgo Prefecture | Japan | 1977 |
Glass Block House (Ishihara House) | Osaka | Japan | 1978 |
Okusu House | Setagaya, Tokyo | Japan | 1978 |
Glass Block Wall (Horiuchi House) | Sumiyoshi, Osaka | Japan | 1979 |
Katayama Building | Nishinomiya, Hyōgo Prefecture | Japan | 1979 |
Onishi House | Sumiyoshi, Osaka | Japan | 1979 |
Matsutani House | Kyoto | Japan | 1979 |
Ueda House | Okayama Prefecture | Japan | 1979 |
STEP | Takamatsu, Kagawa Prefecture | Japan | 1980 |
Matsumoto House | Wakayama, Wakayama Prefecture | Japan | 1980 |
Fuku House | Wakayama, Wakayama Prefecture | Japan | 1980 |
Bansho House Addition | Aichi Prefecture | Japan | 1981 |
Koshino House | Ashiya, Hyōgo Prefecture | Japan | 1981 |
Kojima Housing (Sato House) | Okayama Prefecture | Japan | 1981 |
Atelier in Oyodo | Osaka | Japan | 1981 |
Tea House for Soseikan-Yamaguchi House | Hyōgo Prefecture | Japan | 1982 |
Ishii House | Shizuoka Prefecture | Japan | 1982 |
Akabane House | Setagaya, Tokyo | Japan | 1982 |
Kujo Townhouse (Izutsu House) | Osaka | Japan | 1982 |
Rokko Housing One (34.725613°N 135.227564°E) | Rokko, Hyōgo Prefecture | Japan | 1983 [8] |
BIGI Atelier | Shibuya, Tokyo | Japan | 1983 |
Umemiya House | Kobe | Japan | 1983 |
Kaneko House | Shibuya, Tokyo | Japan | 1983 |
Festival | Naha, Okinawa prefecture | Japan | 1984 |
TIME'S | Kyoto | Japan | 1984 |
Koshino House Addition | Ashiya, Hyōgo Prefecture | Japan | 1984 |
MELROSE, Meguro | Tokyo | Japan | 1984 |
Uejo House | Osaka Prefecture | Japan | 1984 |
Ota House | Okayama Prefecture | Japan | 1984 |
Moteki House | Kobe | Japan | 1984 |
Shinsaibashi TO Building | Osaka Prefecture | Japan | 1984 [9] |
Iwasa House | Ashiya, Hyōgo Prefecture | Japan | 1984 |
Hata House | Nishinomiya, Hyōgo Prefecture | Japan | 1984 |
Atelier Yoshie Inaba | Shibuya, Tokyo | Japan | 1985 |
JUN Port Island Building | Kobe | Japan | 1985 |
Mon-petit-chou | Kyoto | Japan | 1985 |
Guest House for Hattori House | Osaka | Japan | 1985 |
Taiyō Cement Headquarters Building | Osaka | Japan | 1986 |
TS Building | Osaka | Japan | 1986 |
Chapel on Mount Rokko | Kobe | Japan | 1986 |
OLD/NEW Rokkov | Kobe | Japan | 1986 |
Kidosaki House | Setagaya, Tokyo | Japan | 1986 |
Fukuhara Clinic | Setagaya, Tokyo | Japan | 1986 |
Sasaki House | Minato, Tokyo | Japan | 1986 |
Main Pavilion for Tennoji Fair | Osaka | Japan | 1987 |
Karaza Theater | 1987 | ||
Ueda House Addition | Okayama Prefecture | Japan | 1987 |
Church on the Water | Tomamu, Hokkaido | Japan | 1988 |
GALLERIA akka | Osaka | Japan | 1988 |
Children's Museum | Himeji, Hyōgo | Japan | 1989 |
Church of the Light (34.818763°N 135.37201°E) | Ibaraki Osaka Prefecture | Japan | 1989 [10][11][12] |
COLLEZIONE | Minato, Tokyo | Japan | 1989 |
Morozoff P&P Studio | Kobe | Japan | 1989 |
RAIKA Headquarters | Osaka | Japan | 1989 |
Natsukawa Memorial Hall | Hikone, Shiga | Japan | 1989 |
Yao Clinic, Neyagawa | Osaka Prefecture | Japan | 1989 |
Matsutani House Addition | Kyoto | Japan | 1990 |
Ito House, Setagaya | Tokyo | Japan | 1990 |
Iwasa House Addition | Ashiya, Hyōgo Prefecture | Japan | 1990 |
Garden of Fine Arts | Osaka | Japan | 1990 |
S Building | Osaka | Japan | 1990 |
Water Temple (34.546406°N 134.98813°E) | Awaji Island, Hyōgo Prefecture | Japan | 1991[13][14] |
Atelier in Oyodo II | Osaka | Japan | 1991 |
TIME'S II | Kyoto | Japan | 1991 |
Museum of Literature | Himeji, Hyōgo | Japan | 1991 |
Sayoh Housing | Hyōgo Prefecture | Japan | 1991 |
Minolta Seminar House | Kobe | Japan | 1991 |
Naoshima Contemporary Art Museum | Naoshima, Kagawa | Japan | 1995 [2] [3] |
Japanese Pavilion for Expo 92 | Seville | Spain | 1992 |
Otemae Art Center | Nishinomiya, Hyōgo Prefecture | Japan | 1992 |
Forest of Tombs Museum | Kumamoto Prefecture | Japan | 1992 |
Rokko Housing Two | Rokko, Kobe | Japan | 1993 |
Vitra Seminar House | Weil am Rhein | Germany | 1993 |
Gallery Noda | Kobe | Japan | 1993 |
YKK Seminar House | Chiba Prefecture | Japan | 1993 |
Suntory Museum | Osaka | Japan | 1994 |
MAXRAY Headquarters Building | Osaka | Japan | 1994 |
Chikatsu-Asuka Historical Museum | Osaka Prefecture | Japan | 1994 |
Kiyo Bank, Sakai Building | Sakai, Osaka | Japan | 1994 |
Garden of Fine Art | Kyoto | Japan | 1994 |
Museum of wood culture | Kami, Hyōgo Prefecture | Japan | 1994 |
Inamori Auditorium | Kagoshima | Japan | 1994 |
Nariwa Museum | Okayama Prefecture | Japan | 1994 |
Atelier in Oyodo Annex | Osaka | Japan | 1995 |
Nagaragawa Convention Center | Gifu | Japan | 1995 |
Naoshima Contemporary Art Museum Annex | Naoshima, Kagawa Prefecture | Japan | 1995 |
Meditation Space, UNESCO | Paris | France | 1995 |
Asahi Beer Oyamazaki Villa Museum of Art | Kyoto Prefecture | Japan | 1995 [4] |
Shanghai Pusan Ferry Terminal | Osaka | Japan | 1996 |
Museum of Literature II, Himeji | Hyōgo Prefecture | Japan | 1996 |
Gallery Chiisaime (Sawada House) | Nishinomiya, Hyōgo Prefecture | Japan | 1996 |
Museum of Gojo Culture & Annex | Gojo, Nara Prefecture | Japan | 1997 |
TOTO Seminar House | Hyōgo Prefecture | Japan | 1997 |
Yokogurayama Natural Forest Museum | Kochi Prefecture | Japan | 1997 |
Harima Kogen Higashi Primary School & Junior High School | Hyōgo Prefecture | Japan | 1997 |
Koumi Kogen Museum | Nagano Prefecture | Japan | 1997 |
Eychaner/Lee House | Chicago, Illinois | United States | 1997 |
Daikoku Denki Headquarters Building | Aichi Prefecture | Japan | 1998 |
Daylight Museum | Shiga Prefecture | Japan | 1998 |
Junichi Watanabe Memorial Hall | Sapporo | Japan | 1998 |
Asahi Shimbun Okayama Bureau | Okayama | Japan | 1998 |
Siddhartha Children and Women Hospital | Butwal | Nepal | 1998 |
Church of the Light Sunday School | Ibaraki, Osaka Prefecture | Japan | 1999 |
Rokko Housing III | Kobe | Japan | 1999 |
Shell Museum, Nishinomiya | Hyōgo Prefecture | Japan | 1999 |
FABRICA (Benetton Communication Research Center) | Treviso | Italy | 2000 |
Awaji-Yumebutai (34.560983°N 135.008144°E[15]) | Hyōgo Prefecture | Japan | 2000 |
Rockfield Shizuoka Factory | Shizuoka | Japan | 2000 |
The Pulitzer Foundation for the Arts | St. Louis, Missouri | United States | 2001 [5] |
Komyo-ji (shrine) | Saijō, Ehime prefecture | Japan | 2001 |
Ryotaro Shiba Memorial Museum | Higashiosaka, Osaka prefecture | Japan | 2001 |
Teatro Armani-Armani World Headquarters | Milan | Italy | 2001 |
Hyogo Prefectural Museum of Art | Kobe, Hyōgo Prefecture | Japan | 2002 link |
Modern Art Museum of Fort Worth | Fort Worth, Texas | United States | 2002 link |
Piccadilly Gardens | Manchester | United Kingdom | 2003 |
4x4 house | Kobe | Japan | 2003 |
Invisible House | Treviso | Italy | 2004 |
Chichu Art Museum | Naoshima, Kagawa | Japan | 2004 link |
Langen Foundation | Neuss | Germany | 2004 link |
Gunma Insect World Insect Observation Hall | Kiryū | Japan | 2005 |
Picture Book Museum, Iwaki City | Iwaki, Fukushima Prefecture | Japan | 2005 [16] |
Sakanouenokumo Museum | Matsuyama, Ehime | Japan | 2006 |
Morimoto (restaurant) | Chelsea Market, Manhattan | United States | 2005[17] |
Omotesando Hills, Jingumae 4-Chome | Tokyo | Japan | 2006 |
House in Shiga | Ōtsu, Shiga | Japan | 2006 |
Benesse House | Naoshima, Kagawa | Japan | 2006 |
21 21 DESIGN SIGHT | Minato, Tokyo | Japan | 2007 |
Stone Hill Center, expansion for the Clark Art Institute | Williamstown, Massachusetts | United States | 2008 link |
Punta della Dogana (restoration) | Venice | Italy | 2009 [6] Centro Roberto Garza Sada of Art Arquitecture and Design Monterrey Mexico In process 2012 |
Completed projects
Projects in progress
Building/project | Location | Country | Date |
---|---|---|---|
House, stable, and mausoleum for fashion designer and film director Tom Ford | rancho near Santa Fe, New Mexico | United States | 2009 |
Rebuilding the Kobe Kaisei Hospital | Nada Ward, Kobe | Japan | 2009 |
Tokyo Skytree | Tokyo | Japan | 2009 |
Gate of Creation, Universidad de Monterrey | Monterrey | Mexico | 2009 |
Capella Niseko Resort and Residences | Niseko, Abuta District, Shiribeshi, Hokkaido Prefecture | Japan | 2010 |
Interior design of Miklós Ybl Villa | Budapest | Hungary | 2010 |
Kami-noge Station,Tokyu Corporation | Tokyo | Japan | 2011 |
Awards
Award | Organization/location | Country | Date |
---|---|---|---|
Annual Prize (Row House, Sumiyoshi) | Architectural Institute of Japan | Japan | 1979 |
Cultural Design Prize (Rokko Housing One and Two) | Tokyo | Japan | 1983 |
Alvar Aalto Medal | Finnish Association of Architects | Finland | 1985 |
Gold Medal of Architecture | French Academy of Architecture | France | 1989 |
Carlsberg Architectural Prize (International) | Copenhagen | Denmark | 1992 |
Japan Art Academy Prize | Tokyo | Japan | 1993 |
Pritzker Architecture Prize (International) | Chicago | United States | 1995 |
Chevalier de l’Ordre des Arts et des Lettres | Paris | France | 1995 |
Praemium Imperiale First “FRATE SOLE” Award in Architecture | Japan Art Association | Japan | 1996 |
Officier de l'Ordre des Arts et des Lettres | Paris | France | 1997 |
Royal Gold Medal | RIBA | Great Britain | 1997 |
AIA Gold Medal | American Institute of Architects | United States | 2002 |
UIA Gold Medal[18] | International Union of Architects | France | 2005 |
Neutra Medal for Professional Excellence | Cal Poly Pomona College of Environmental Design | United States | 2012 |
References
- ^ Masao Furuyama. “Tadao Ando”. Taschen, 2006. ISBN 978-3-8228-4895-1.
- ^ Werner Blaser, “Tadao Ando, Architecktur der Stille, Architecture of silence” Birkhäuser, 2001. ISBN 3-7643-6448-3.
- ^ Jin Baek, “Nothingness: Tadao Ando’s Christian Sacred Space”. Routledge, 2009. ISBN 978-0-415-47854-0.
- ^ Ando 1995, Prtizker Prize web page.
- ^ Muschamp, Herbert. (1995). "Among the Fountains with Tadao Ando; Concrete Dreams In the Sun King's Court," New York Times. September 21, 1995.
- ^ a b Goldberger, Paul. "Architecture View: 'Laureate' in a Land of Zen and Microchips," The New York Times. April 23, 1995.
- ^ Bassin, Joan. "Frank Lloyd Wright's Imperial Hotel", National Building Museum exhibition.
- ^ map
- ^ WHAT WE DO IS SECRET » An Encounter
- ^ [1]
- ^ Church of the Light - Tadao Ando
- ^ map
- ^ Floornature - architectural news, design and information resource for ceramic tile and stone
- ^ map
- ^ map
- ^ http://www.tadao-ando.com/bio_worksE.html
- ^ Meatpacking district—Ando's first project in Manhattan, opened January 2006.
- ^ Tadao Ando, UIA 2005 Gold Medalist
Literature
- Francesco Dal Co. Tadao Ando: Complete Works. Phaidon Press, 1997. ISBN 0-7148-3717-2
- Kenneth Frampton. Tadao Ando: Buildings, Projects, Writings. Rizzoli International Publications, 1984. ISBN 0-8478-0547-6
- Randall J. Van Vynckt. International Dictionary of Architects and Architecture. St. James Press, 1993. ISBN 1-55862-087-7
- Masao Furuyama. “Tadao Ando”. Taschen, 2006. ISBN 978-3-8228-4895-1
- Werner Blaser, “Tadao Ando, Architecktur der Stille, Architecture of silence” Birkhäuser, 2001. ISBN 3-7643-6448-3
- Jin Baek, “Nothingness: Tadao Ando’s Christian Sacred Space”. Routledge, 2009. ISBN 978-0-415-47854-0
External links
Wikimedia Commons has media related to: Tadao Ando |
- Tadao Ando official website
- Tadao Ando unofficial website created and maintained by fans
- Tadao Ando page at greatbuildingsonline.com
- Architectural Record Magazine | Interviews | Tadao Ando
- Tadao Ando unofficial website(cyber-squatting)
- Tadao Ando page at greatbuildings.com
- Tadao Ando at the archINFORM database
- Tadao Ando at the Museum of Modern Art
- Tadao Ando - Church of the Light [ Interactive 3D presentation ]
- Tadao Japanese Pavillion in 1992 Expo
- Tadao Ando buildings on Flickr
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